Abstraction: Robert Delaunay
He was a French painter influenced by the works of Seurat, his paintings always went hand in hand with experimentation, focusing mainly on color and light as a construction method for his compositions; In 1912 he enthusiastically embraced abstraction as the perfect means that would allow him to reaffirm his analysis and concerns, since, the freedom that allowed him not to represent natural reality gave him relief to place what really for him had prominence.
Windows Open Simultaneously 1st Part, 3rd Motif (1912)
In this work you can see the fragmentation and distribution of different points of view such as what they were in the analytical cubism, influenced by this to do this work, where it handles the chromatic ranges in simultaneity of tones, as if it were a glass broken to which the light penetrates, in turn, the distribution of the same together with the title leaves you with some certainty that he represented the nature that was glimpsed through it, between the green colors, of the ground or the mountains, the yellows and blues in the sky and the violet and pink hues create an extremely harmonious and relaxing composition for the viewer.
Rythm (1934)
Circles abound in many of his paintings, it is a predominant element of which, as Kandinsky contemplated his experiments, he conferred the ability to place the elements distributed with chromatic ranges that gave the painting an aura of happiness and rhythm, he was also a music lover, that was something important to him, so trying to represent it was one of his aspirations.
Info from:
https://www.biografiasyvidas.com/biografia/d/delaunay.htm
https://es.wikipedia.org/wiki/Robert_Delaunay
https://www.wikiart.org/es/robert-delaunay
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