BEATRIX IRONHAND | Splinterlands Art Contest Week 226

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Hola Hivers, en esta ocasión, escogí a BEATRIX IRONHAND una unidad de tierra épica. Su aspecto de ninja me llamo la atención. A sí que decidí hacerla con una vista nocturna en los techos de una ciudad para darle ese toque sigiloso del los ninjas.

Hi Hivers, this time, I chose BEATRIX IRONHAND an epic ground unit. Her ninja look caught my attention. So I decided to make it with a night view on the roofs of a city to give it that stealthy touch of the ninjas.

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Referencia | Reference

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Realice un boceto rápido en esta ocasión, y sobre eso comencé a pintar los colores bases, teniendo en mente un paisaje nocturno de fondo, donde predominaran los colores fríos y con un poco de tonos cálidos para contraste, así fue pintando y puliendo la figura ajustando y añadiendo los detalles del rostro cabello y ropa.

I made a quick sketch on this occasion, and on that I began to paint the base colors, having in mind a nocturnal landscape in the background, where the cold colors would predominate and with a little warm tones for contrast, so I was painting and polishing the figure adjusting and adding the details of the face, hair and clothes.

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Luego de esto decidí a pasar al fondo, para esto trabaje en un par de capas para facilitarme el trabajo, creo la base para el tejado con líneas, guías y agregue los colores base, luego de esto cree un patrón de líneas paralelas que con ayuda de la herramienta trasformar adapte a las formas del techo esto me ayudo a hacer el fondo mucho más rápido, ya que solo quedaba agregar los detalles más pequeños y algunas sombras y luces para el fondo.

After this I decided to move to the background, for this I worked in a couple of layers to make my work easier, I created the base for the roof with lines, guides and added the base colors, after this I created a pattern of parallel lines that with the help of the transform tool I adapted to the shapes of the roof, this helped me to make the background much faster, since I only had to add the smallest details and some shadows and lights for the background.

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Ya con el fondo listo comencé a darle los toque finales al personaje para luego hacer su arma con ayuda de la herramienta de simetría, además de varios filtros para darle desenfoque, todo esto para darle un toque de movimiento, ya al final solo adapte el arma al personaje para que se viera sosteniéndola y darle las luces y sombras necesarias para integrarla al resto de la ilustración. Ya casi terminado, agregue en otra capa la mascará y ajuste los tonos más la habitual capa de ruido. ya con esto solo queda ajustar algunos tonos y listo.

Espero que les haya gustado.

Once the background was ready I started to give the final touches to the character to then make his weapon with the help of the symmetry tool, plus several filters to blur it, all this to give it a touch of movement, and at the end I only adapted the weapon to the character to make it look holding it and give it the lights and shadows needed to integrate it to the rest of the illustration. Now almost finished, add in another layer the chewing and adjust the tones plus the usual noise layer. Now with this I just need to adjust some tones and that's it.

I hope you liked it.

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TIME-LAPSE DEL PROCESO | TIME-LAPSE OF THE PROCESS


ILUSTRACIÓN FINAL | FINAL ILLUSTRATION

BEATRIX IRONHAND.jpg

BEATRIX IRONHAND2.jpg

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Gracias por ver hasta la próxima.

Thanks for watching until next time.

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Herramientas usadas / Tools used
ClipStudioPaint & Photoshop & Shotcut

Wacom Bamboo tablet

Traducción/ Translate
Deepl

Todas las imágenes son de mi autoría - All images are my own

art illustration splinterlands painting drawing digitalart spanish
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Whoa, this is amazing. It looks a still from an action movie👍.

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